TedStixon

The Pack - S1-E6

Continuity mistake: When Willow is unsuccessfully trying to tutor Xander outside towards the beginning of the episode, after Willow warns Xander he might flunk math, he reaches up and massages his face with his hand. When he does this, he has a pen in his hand. When the camera cuts to the opposite angle, the pen vanishes. Then, when the scene cuts to a wideshot about 10 seconds later, suddenly his hand is in a completely different position between cuts.

TedStixon

I Robot, You Jane - S1-E8

Continuity mistake: In the beginning, after the monk traps Moloch and closes the book, the positions of his hands gripping the sides of the book changes slightly between cuts. (Ex. His left hand is lower, then suddenly slightly higher between edits).

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: When Buffy meets Angel, Angel is walking down the alley and Buffy swings around a pole and kicks him from behind. Except you can tell in the first shot that Angel is too far ahead of her - she couldn't have reached him to kick him. She's only able to reach him through the power of editing, as the shot cuts, and he's suddenly closer to her. She also somehow flips backwards yet lands in front of him. The scene looks cool in motion, but makes absolutely no logistical sense if you watch closely.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: In the beginning, when Darla "vamps out" and kills the boy, watch her shirt collar. In the first shot, her shirt collar is unbuttoned, but when she turns around to bite him, suddenly it's buttoned closed.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: In the beginning, when Darla and the boy break into the school, the boy breaks through a window, reaches in, and unlocks the window from inside. When he does this, as the shot changes, the broken glass around the window changes slightly between cuts. (Noticeably, the glass wedged between his hand and the window vanishes.) Additionally, in the first shot, there's a microscope right next to the window, about an inch away. In the next shot, it seems to have moved about four inches to the left.

TedStixon

The Pack - S1-E6

Continuity mistake: When the zookeeper catches Buffy and Willow trying to sneak into the hyena exhibit in the beginning, when Buffy and Willow turn around, they get close to each other but there's still at least 6-8 inches of space between them. When the camera cuts, though, they are suddenly pressed literally right up against each other, to the point they are borderline huddling.

TedStixon

I Robot, You Jane - S1-E8

Continuity mistake: When Buffy and Willow arrive at school at the start of the episode, Willow is wearing very dark, completely opaque tights that look to be black or at best very dark navy blue. When Xander finds her in the next scene, which takes shortly after on the same day, she's suddenly wearing much brighter purple tights.

TedStixon

I Robot, You Jane - S1-E8

Continuity mistake: In the beginning of the episode, when Willow gets the email from "Malcolm" and says "He's so sweet! What should I write back?", she instantly goes from facing forward at the computer to facing sideways at Buffy between cuts.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: When the Master first starts to appear, rising out of the pool, the top of his head is wet. But in the next shot (a wideshot) where you see him continue to rise, he's bone dry. This is because in the first shot, the actor is really coming out of the liquid, whereas in the next shot, he's added through visual effects. He obviously was supposed to look "dry" the entire time, but because the first shot was done with an actor rising out of the pool on-set, there was no way for him to emerge dry.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: After Cordelia turns down Jesse at the Bronze, he says "Fine plenty other fish in the sea." In the first shot, his arm is raised and he has his hand against a pillar. In the second shot, his arm is suddenly down by his side.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: When Jesse asks Cordelia if she wants to dance at the Bronze, and she replies "With you?", she goes from facing downwards to facing sideways towards Jesse between cuts. They try to hide the continuity mistake with editing (cutting the shot as an extra is partially obscuring the frame as he walks by), but you can see clear as day that she goes from looking down to looking sideways instantly.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: When Buffy meets Willow at the Bronze, a drink basically magically materializes in Buffy's hands at one point. She points to the bartender like she wants a drink, but a few shots later (when she says "How come?") she suddenly has a drink in her hand without having picked it up in any previous shot. She also goes from not sipping her drink to sipping it between cuts just a few shots later.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: When Buffy meets Willow at the Bronze, when Willow says she thought Xander was going to be there, Buffy is standing about a foot away from the bar and her arms are by her side. But suddenly in the next shot, she's right up against the bar and leaning on it with her elbow. Then in the next shot, she's about a foot away again.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: This is hard to describe. When Buffy and Joyce are talking in her room, Joyce keeps pulling pillows off Buffy's bed and re-arranging them. However, at one point, when the shot cuts back to her, she's holding a different pillow than in her last shot. This technically wouldn't be a mistake since she's off camera except in the shots facing Buffy, there's a mirror behind her with her bed in view, so we should have Joyce put down the first pillow and pick up the second one... and we don't.

TedStixon

Continuity mistake: When Millie (in the Butcher's body) goes to see her friends for the first time, throughout the scene Josh has his phone in his right hand. When Millie appears and it cuts to Josh screaming, suddenly his phone briefly switches to his left hand, before switching back to his right hand in the very next shot. (There isn't enough time for him to have swapped hands between edits).

TedStixon

Continuity mistake: When Millie and her friends are in the theater talking about the murders, when Josh mentions the rumor about the girl getting a carrot stuck in her vagina, Millie instantly goes from facing downwards to facing forwards between cuts.

TedStixon

Continuity mistake: During the final fight at the very end of the film, pay attention to Millie's bloody nose. At first, there's an equal amount on either side. But a few seconds later, the suddenly less blood on the left side of her face and more blood on the right side.

TedStixon

Continuity mistake: This is a little difficult to explain, so I'll do my best. When Char makes Millie/Butcher open the jail cell, in the first shot (a side-shot) it's clear that Millie is about to grab the third bar in from the edge of the door. When it cuts to the front shot, she's suddenly grabbing the second bar in. Then when it cuts back to the side-shot, you can tell she just let go of the third bar in.

TedStixon

Continuity mistake: When the Butcher nearly hits Josh with the stolen police car, Josh's hands go from being up in the air, to down by his sides instantly between cuts.

TedStixon

Continuity mistake: When Josh's mom is about to cut the Butcher/Millie out of the chair, pay attention to her right hand, which is holding the knife. Right before the Butcher/Millie springs up, as she's talking to her son, her arm goes from down by her side with the knife pointed down, to up by her chest instantly between cuts.

TedStixon