Minority Report
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Continuity mistake: When Anderton first starts getting chased, he kicks the glass out of the back side of the automated car. He then proceeds to climb on the top of it at which point the car then goes over a cliff leaving Anderton hanging from it. He then climbs onto the back side of the car (as this is not the top) and the glass is present again.

Continuity mistake: In the beginning, when Anderton arrests the jealous husband, he notes that he is being arrested on April 22 - that day - for the future murder of his wife and her lover. Later, while Anderton is jogging, we see billboards advocating a "Yes" vote on pre-crime on April 22. The next day, Anderton's boss Lamar notes that the vote is in a week, which would make it April 15, making the day that the jealous husband was arrested April 14, not April 22. (00:13:05 - 00:15:15)

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Officer Fletcher: John, don't run.
John Anderton: You don't have to chase me.
Officer Fletcher: You don't have to run.
John Anderton: Everybody runs, Fletch.

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Trivia: On the "subway" train, the man holding the USA Today paper is Cameron Crowe, and the woman in the seat behind him on his left is Cameron Diaz. Because "Vanilla Sky" and "Minority Report" were so close in shooting, the two directors (Crowe and Spielberg) agreed to put themselves as cameos in each other's films. (00:46:10)

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Question: Why all the build up of John having sent the Russian eye-surgeon guy to jail, suggesting that he will hurt John; only to have him successfully complete the operation, and take care of John afterwards?

Nick N.

Answer: Because subverting the expectations of the viewer makes it more interesting. The audience (and potentially John) are set-up to expect bad things, which don't happen. Once the "bad thing" happened, the suspense would be gone and everyone could relax. Expecting something bad but knowing when it might happen maintains the tension.

Chosen answer: It's what's known as a McGuffin; a plot element that seems to be important when introduced, but serves no purpose other than to intrigue/distract the audience. The term was popularised by Alfred Hitchcock.

J I Cohen

That's not *quite* what a MacGuffin is. A MacGuffin not only seems important, it *is* important; in fact, one of its two diagnostic characteristics is that a MacGuffin is something around which the entire plot revolves. The other property fundamental to what makes something a MacGuffin is the fact that the origin, purpose, function, and, in some cases, even identity of the object is left either vague or completely undefined. The briefcase in Pulp Fiction is a classic example (although there *is* a compelling argument that the object in the briefcase is in fact a specific artifact).

Well, according to the doctor when the operation is beginning, the doctor reveals that in prison, he spent all of his time in the library, including books on medicine and technology. As a result, he found his "true calling", and is thankful to John for helping him see that.

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